Link Salad for 26 February

Link Salad for 26 February

Today marks two cultural anchors that make 26 February unusually fertile ground for a link salad.

  • Taxi Driver (set in New York) was released on 26 February 1976.

  • Victor Hugo, author of Les Misérables, (set in Paris) was born on 26 February 1802.

Yesterday’s link salad spread outward into a dense, multi-line network.
Today’s is deliberately more circular — a closed loop of films, music, and cities, with time as the running theme.


A circular map of culture and time

At the centre are New York, London, and Paris — arguably the world’s three most influential cultural cities — joined today by a fourth: Marseille.

  • New York
    Taxi Driver, Robert De Niro, Gangs of New York, The Wolf of Wall Street, Leonardo DiCaprio, Martin Scorsese.
    A city of performance, excess, and consequence.

  • Paris
    Victor Hugo, Les Misérables, revolution, ideas.
    The source city — where concepts begin.

  • London
    Les Misérables the musical (reworked and perfected in the West End),
    Inception, ABBA (Amanda Seyfried), Mamma Mia!, Eurovision (Brighton).
    The transmission hub — where culture is amplified and exported.

  • Marseille
    Taxi, Ronin (via Nice), La Marseillaise.
    The hinge city — movement, speed, ignition.


The time theme: meters, marathons, and mind-shifts

26 naturally invites the metaphor of endurance — the marathon distance.
That feeds directly into the image of the taxi meter: time running, cost accumulating, no pause button (Airplane).

From there, the links tighten:

  • Taxi (Luc Besson, Fifth Element, also New York)Marion Cotillard

  • Cotillard → Inception (London, Paris and many others)

  • Inception → distorted time, layered perception, mental endurance

Time doesn’t just pass — it bends (Persistence of Memory, Salvador Dali, New York again – MoMa)


Music, war, and cultural compression

Les Misérables began as a Parisian novel, became a London-stage phenomenon, and finally a global hit in New York — including the 2012 film featuring Hugh Jackman and Amanda Seyfried.

Seyfried leads to Mamma Mia! → ABBA → Waterloo → Eurovision → Brighton → London again.

History collapses into pop.
War becomes song.
Time compresses.

Meryl Streep

To bring it all together, Meryl Streep becomes a perfect human hinge for today’s map. In Mamma Mia!, she anchors joy, memory, and music; in The Devil Wears Prada, she embodies relentless time pressure and authority; and in The Iron Lady, she channels history, power, and consequence. Music, fashion, and politics collapse into performance, and the loop closes neatly across London, New York, and Europe — time measured, bent, and finally performed.


Off the map: Australia

Beyond the circle sits Australia:

  • Hugh Jackman (Les Mis)→

  • Baz Luhrmann (Director) →

  • The Great Gatsby

  • DiCaprio → back to New York.

The loop closes.


Final thought

26 February becomes a clock face:

  • Paris generates ideas

  • London transmits them

  • New York performs them

  • Marseille sets them in motion

The meter is running.

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