Link Salad for 26 February
Today marks two cultural anchors that make 26 February unusually fertile ground for a link salad.
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Taxi Driver (set in New York) was released on 26 February 1976.
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Victor Hugo, author of Les Misérables, (set in Paris) was born on 26 February 1802.
Yesterday’s link salad spread outward into a dense, multi-line network.
Today’s is deliberately more circular — a closed loop of films, music, and cities, with time as the running theme.
A circular map of culture and time
At the centre are New York, London, and Paris — arguably the world’s three most influential cultural cities — joined today by a fourth: Marseille.
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New York
Taxi Driver, Robert De Niro, Gangs of New York, The Wolf of Wall Street, Leonardo DiCaprio, Martin Scorsese.
A city of performance, excess, and consequence. -
Paris
Victor Hugo, Les Misérables, revolution, ideas.
The source city — where concepts begin. -
London
Les Misérables the musical (reworked and perfected in the West End),
Inception, ABBA (Amanda Seyfried), Mamma Mia!, Eurovision (Brighton).
The transmission hub — where culture is amplified and exported. -
Marseille
Taxi, Ronin (via Nice), La Marseillaise.
The hinge city — movement, speed, ignition.
The time theme: meters, marathons, and mind-shifts
26 naturally invites the metaphor of endurance — the marathon distance.
That feeds directly into the image of the taxi meter: time running, cost accumulating, no pause button (Airplane).
From there, the links tighten:
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Taxi (Luc Besson, Fifth Element, also New York) → Marion Cotillard
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Cotillard → Inception (London, Paris and many others)
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Inception → distorted time, layered perception, mental endurance
Time doesn’t just pass — it bends (Persistence of Memory, Salvador Dali, New York again – MoMa)
Music, war, and cultural compression
Les Misérables began as a Parisian novel, became a London-stage phenomenon, and finally a global hit in New York — including the 2012 film featuring Hugh Jackman and Amanda Seyfried.
Seyfried leads to Mamma Mia! → ABBA → Waterloo → Eurovision → Brighton → London again.
History collapses into pop.
War becomes song.
Time compresses.
Meryl Streep
To bring it all together, Meryl Streep becomes a perfect human hinge for today’s map. In Mamma Mia!, she anchors joy, memory, and music; in The Devil Wears Prada, she embodies relentless time pressure and authority; and in The Iron Lady, she channels history, power, and consequence. Music, fashion, and politics collapse into performance, and the loop closes neatly across London, New York, and Europe — time measured, bent, and finally performed.
Off the map: Australia
Beyond the circle sits Australia:
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Hugh Jackman (Les Mis)→
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Baz Luhrmann (Director) →
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The Great Gatsby →
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DiCaprio → back to New York.
The loop closes.
Final thought
26 February becomes a clock face:
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Paris generates ideas
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London transmits them
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New York performs them
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Marseille sets them in motion
The meter is running.

